Needless to say, Wayne’s vocals are hardly suitable for singing listening to him moan out “oh no this ain’t paradise” and squeal out his best pained Nickelback imitation on “Paradice” or try out nu-metal on “Ground Zero” is an exercise in grueling, herculean patience.Įven discounting Wayne himself, there’s precious little to like here, largely due to the producers’ insistence to make every track sound as bombastic and outsized as Creed on a stadium tour with absolutely zero attention to subtlety of any kind. Going from an Auto-Tuned, maniacal version of Billy Corgan to his typically unintelligible Louisiana patois, Wayne runs the gamut from pimping drugs to pimping women to moaning over heartbreak to celebrating the rock star lifestyle with the same general speed and fury, shifting only a few degrees in tone over the course of the album and essentially making every vocal performance he puts down sound eerily the same. The rapping, the hilariously generic instruments and beats, the “singing ” everything here speaks to a man with only the vaguest idea of how rock ‘n roll really works. Listening to the entire twelve tracks, it’s nearly impossible to see just how Wayne okayed this then again, this is the same man who declared that, if he was President, he would “make prostitution legal in about five more states put cocaine back in Coca-Cola,” among many other revolutionary changes. From the hilariously ‘80s, Guitar Hero-esque solo intro of opener “American Star” to the obscenely grating breakup anthem “The Price Is Wrong,” everything here points to Rebirth as a colossal ***up of the highest order, a misjudgment of talent and ideas that any label exec not blinded by Tha Carter III’s huge sales should have vetoed within seconds. His so-called “rock” album, it’s clear right off the bat that Lil Wayne is not only deluding himself from everyday reality but also from what constitutes rock ‘n roll, at least in this day and age. Likewise, Rebirth is the kind of album only the painfully oblivious could make. The Carter shows a man oblivious to the opinions of those around him and confident only in that he is the best there is, wherever, whenever, in whatever. It’s the kind of hubris that allows an album like Rebirth to get made, the kind of egomania that causes studio heads to shut their mouths and let the pint-sized New Orleans rapper try to branch out like an overzealous marketer. that’s how I want to be, I do everything good.” Throughout much of the documentary, Lil Wayne is incredibly hard to understand, but here the directive is painfully clear. I’m re-creating the face of music period. LIL WAYNE REBIRTH 2 RATE YOUR MUSIC FULLfull of music, I want you to look for that, not just what you look for now. when you be lookin’ for a Lil Wayne album, you gonna be lookin’ for the best rap, the best singin’, the best songs. There’s a scene in the 2009 documentary The Carter where the film’s main subject, Lil Wayne, fresh off a cough syrup-fueled, barely coherent recording session, tells the interviewer just how he wants to become king of the music world: “To be an ultimate artist, I believe you have to be like me, I try to do everything. Lil Wayne & Busta RhymesĮnrique Iglesias with Usher feat.Review Summary: Rebirth is the kind of album only the painfully oblivious could make. Rick Ross, Plies, Lil Wayne & T‐PainĬhris Brown feat. Birdman, Jay Sean & Lil WayneĭJ Khaled feat. Kanye West, Lil Wayne and EminemĬhris Brown feat. Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Lil Wayne, Fat Joe, Birdman & Rick Ross Akon, Lil Wayne introducing NiiaĭJ Khaled feat. The Weezy Effect: Bottom of the Map, Volume 2ĭestiny’s Child featuring T.I. The Drought Is Over 4: Return to The Carter 3 Sessions The Drought Is Over 2: The Carter 3 Sessions The Carter 2, Part 2: Like Father Like Son
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